Welcome!

News Feed Item

Frist Center Pairs Work of Francisco Goya and Steve Mumford in Exhibitions Exploring Conflict as Seen Through Artists' Eyes

Goya: The Disasters of War and Steve Mumford's War Journals, 2003–2013 Open February 28, 2014

NASHVILLE, Tenn., Jan. 7, 2014 /PRNewswire-USNewswire/ -- Through the pairing of the exhibitions Goya: The Disasters of War, and Steve Mumford's War Journals, 2003–2013, the Frist Center for the Visual Arts offers two powerful artistic portrayals of conflict and life in a combat zone. In The Disasters of War, the eminent Spanish painter and printmaker Goya graphically depicts the ravages of war as a means of expressing his horror with humanity's capacity to inflict harm, whereas the contemporary American artist Steve Mumford takes a more journalistic approach to his paintings of 21st Century combat. Both exhibitions will be on view in the Frist Center's Upper-Level Galleries from February 28 through June 8, 2014.

Francisco de Goya y Lucientes (1746–1828), widely considered the last of the Spanish "old masters" as well as the first modernist, created the eighty prints that comprise The Disasters of War in reaction to the Napoleonic invasion of Spain in the Peninsular War (1808–14) and the ensuing political turmoil. "Unlike previous works of 'war art,' these prints were not commissioned by 'the winner,'" explains Frist Center Curator Katie Delmez. "Therefore, they provide insight into the artist's unbiased private feelings about the historical events, and do not glorify individual leaders. Rather, they are brutally frank reflections of the impact conflicts have on ordinary individuals, soldiers and civilians alike. In this way, Goya can be seen as one of the first truly modern artists."

Still relevant after 200 years, the prints have inspired artists from Édouard Manet and Pablo Picasso to Leon Golub and the Chapman brothers; they have been reformatted to serve as a cover for Susan Sontag's book, Regarding the Pain of Others; they appear as illustrations in political commentary. Given their subjects of death, brutality and the impact of war on civilians of all ranks and ages, The Disasters of War are not easy to look at, and have rarely been exhibited in their entirety. "Perhaps because of their criticism of both France and the Spanish crown, or the acknowledgement that such gruesome images would not find buyers, the etchings were not published until 1863, thirty-five years after the Goya's death," says Ms. Delmez. A collaboration of the Pomona College Museum of Art and the University Museums, University of Delaware, this exhibition and the accompanying catalogue present all eighty prints of the first edition from the collection of the Pomona College Museum of Art.

Curated by Goya scholar Janis Tomlinson, director of the University Museums, University of Delaware, the exhibition proposes a departure from the traditional installation that follows the sequence of etchings imposed some years after they were created and standardized in the first edition of 1863. Tomlinson invites us to consider Goya's endeavor within its historical context by presenting the etchings in five groups: Carnage, Atrocity, Martyrdom, Famine and Emphatic Caprices. This organization reveals Goya's clear stylistic evolution over the four years (1810–14) during which he etched these plates.

While Goya concentrates on war's inhumanity, Steve Mumford explores the humanity of day to day life, especially the routine downtime, in combat zones. Trained as a painter and strongly influenced by Winslow Homer, Mr. Mumford has worked since 2003 as an artist with a press pass embedded in occupied Iraq and the war zones of Afghanistan. Frist Center Chief Curator Mark Scala explains, "His intention was to capture—in drawings, watercolors and written journals—the experiences of American troops and the people living and working in the areas he visited." Throughout his extended trips, Mr. Mumford observed and depicted scenes that are rarely shown in the news. "Among Mumford's most affecting images are those that show wounded soldiers receiving therapy at Brooke Army Medical Center in San Antonio, Texas, and Walter Reed Army Medical Center in Washington, D.C.," says Mr. Scala. "It's clear that the works do not just portray individual traumas, but are also universal symbols for the damage of war and the healing—physical or emotional, personal and cultural—that now must follow."

A different perspective on the nature of the conflict appears in the last gallery of the exhibition, which contains scenes from the prison camp at Guantánamo Bay Naval Base, Cuba, which Mr. Mumford created in 2013 to illustrate a story in Harper's Magazine on the trial of an accused terrorist. 

Addressing the conscious decision to paint rather than to photograph, Mr. Mumford says: "Making a drawing is more about lingering with a place and editing the scene in a wholly subjective way. It's never comprehensive of the visual facts, which are filtered through one's senses, selected, exaggerated, or left out over the hour or so it takes to make a drawing... . For me, the act of drawing slowed down the war, recording the spaces in between the bombs."

As part of the exhibition planning process, the Frist Center invited a group of veterans and staff counselors from Soldiers and Families Embraced (SAFE), a Clarksville, Tenn.-based nonprofit organization offering free counseling for active duty, veterans and their families, to discuss the exhibition concepts and materials. The group provided insightful feedback on public programming, docent training and how to best accommodate visiting members of the military community. "These exhibitions will undoubtedly spur emotional responses, especially from members of the military who have served in Iraq or Afghanistan and may have witnessed the types of events shown by both artists, but especially by Steve Mumford," says Mr. Scala. "We asked our focus group to weigh in with us on how Mumford's works relate to their own experiences of the war zones, which reflect our own moment in history in a very different way than Goya did his." The group noted that many returning service members are hesitant to speak openly about war time experiences and that the exhibitions could serve as a catalyst for conversation and a sharing of experiences and memories.

The exhibition is accompanied by an array of public programs and a catalogue published by Pomona College Museum of Art and University Museums, University of Delaware.

Exhibition Credit
Goya: The Disasters of War is a collaboration of the Pomona College Museum of Art and the University Museums of the University of Delaware. It is curated by Janis Tomlinson, Director, University Museums, and circulated by the Pomona College Museum of Art.

Steve Mumford's War Journals, 2003–2013 was organized by Mark Scala, chief curator, Frist Center for the Visual Arts.

The Frist Center for the Visual Arts is supported in part by the Metro Nashville Arts Commission, the Tennessee Arts Commission, and the National Endowment for the Arts.

About the Frist Center
Accredited by the American Alliance of Museums, the Frist Center for the Visual Arts is a 501(c)3 nonprofit art exhibition center dedicated to presenting and originating high quality exhibitions with related educational programs and community outreach activities. Located at 919 Broadway in downtown Nashville, Tennessee, The Frist Center offers the finest visual art from local, regional, national, and international sources in a program of changing exhibitions that inspire people through art to look at their world in new ways. Gallery admission is free for visitors 18 and younger and to members. Admission is $10.00 for adults and $7.00 for seniors, military, and college students with ID. College students are admitted free Thursday and Friday evenings (with the exception of Frist Fridays), 59 p.m. The galleries, Café, and Gift Shop are open seven days a week: Mondays through Wednesdays, and Saturdays, 10 a.m.5:30 p.m.; Thursdays and Fridays, 10 a.m.9 p.m. and Sundays, 15:30 p.m. Additional information is available by calling (615) 244-3340 or visiting www.fristcenter.org.

SOURCE Frist Center for the Visual Arts

More Stories By PR Newswire

Copyright © 2007 PR Newswire. All rights reserved. Republication or redistribution of PRNewswire content is expressly prohibited without the prior written consent of PRNewswire. PRNewswire shall not be liable for any errors or delays in the content, or for any actions taken in reliance thereon.

Latest Stories
Amazon is pursuing new markets and disrupting industries at an incredible pace. Almost every industry seems to be in its crosshairs. Companies and industries that once thought they were safe are now worried about being “Amazoned.”. The new watch word should be “Be afraid. Be very afraid.” In his session 21st Cloud Expo, Chris Kocher, a co-founder of Grey Heron, will address questions such as: What new areas is Amazon disrupting? How are they doing this? Where are they likely to go? What are th...
As you move to the cloud, your network should be efficient, secure, and easy to manage. An enterprise adopting a hybrid or public cloud needs systems and tools that provide: Agility: ability to deliver applications and services faster, even in complex hybrid environments Easier manageability: enable reliable connectivity with complete oversight as the data center network evolves Greater efficiency: eliminate wasted effort while reducing errors and optimize asset utilization Security: imple...
High-velocity engineering teams are applying not only continuous delivery processes, but also lessons in experimentation from established leaders like Amazon, Netflix, and Facebook. These companies have made experimentation a foundation for their release processes, allowing them to try out major feature releases and redesigns within smaller groups before making them broadly available. In his session at 21st Cloud Expo, Brian Lucas, Senior Staff Engineer at Optimizely, will discuss how by using...
The next XaaS is CICDaaS. Why? Because CICD saves developers a huge amount of time. CD is an especially great option for projects that require multiple and frequent contributions to be integrated. But… securing CICD best practices is an emerging, essential, yet little understood practice for DevOps teams and their Cloud Service Providers. The only way to get CICD to work in a highly secure environment takes collaboration, patience and persistence. Building CICD in the cloud requires rigorous ar...
In this strange new world where more and more power is drawn from business technology, companies are effectively straddling two paths on the road to innovation and transformation into digital enterprises. The first path is the heritage trail – with “legacy” technology forming the background. Here, extant technologies are transformed by core IT teams to provide more API-driven approaches. Legacy systems can restrict companies that are transitioning into digital enterprises. To truly become a lead...
Companies are harnessing data in ways we once associated with science fiction. Analysts have access to a plethora of visualization and reporting tools, but considering the vast amount of data businesses collect and limitations of CPUs, end users are forced to design their structures and systems with limitations. Until now. As the cloud toolkit to analyze data has evolved, GPUs have stepped in to massively parallel SQL, visualization and machine learning.
DevOps at Cloud Expo, taking place October 31 - November 2, 2017, at the Santa Clara Convention Center in Santa Clara, CA, is co-located with 21st Cloud Expo and will feature technical sessions from a rock star conference faculty and the leading industry players in the world. The widespread success of cloud computing is driving the DevOps revolution in enterprise IT. Now as never before, development teams must communicate and collaborate in a dynamic, 24/7/365 environment. There is no time to w...
SYS-CON Events announced today that Daiya Industry will exhibit at the Japanese Pavilion at SYS-CON's 21st International Cloud Expo®, which will take place on Oct 31 – Nov 2, 2017, at the Santa Clara Convention Center in Santa Clara, CA. Ruby Development Inc. builds new services in short period of time and provides a continuous support of those services based on Ruby on Rails. For more information, please visit https://github.com/RubyDevInc.
When it comes to cloud computing, the ability to turn massive amounts of compute cores on and off on demand sounds attractive to IT staff, who need to manage peaks and valleys in user activity. With cloud bursting, the majority of the data can stay on premises while tapping into compute from public cloud providers, reducing risk and minimizing need to move large files. In his session at 18th Cloud Expo, Scott Jeschonek, Director of Product Management at Avere Systems, discussed the IT and busine...
As businesses evolve, they need technology that is simple to help them succeed today and flexible enough to help them build for tomorrow. Chrome is fit for the workplace of the future — providing a secure, consistent user experience across a range of devices that can be used anywhere. In her session at 21st Cloud Expo, Vidya Nagarajan, a Senior Product Manager at Google, will take a look at various options as to how ChromeOS can be leveraged to interact with people on the devices, and formats th...
First generation hyperconverged solutions have taken the data center by storm, rapidly proliferating in pockets everywhere to provide further consolidation of floor space and workloads. These first generation solutions are not without challenges, however. In his session at 21st Cloud Expo, Wes Talbert, a Principal Architect and results-driven enterprise sales leader at NetApp, will discuss how the HCI solution of tomorrow will integrate with the public cloud to deliver a quality hybrid cloud e...
Is advanced scheduling in Kubernetes achievable? Yes, however, how do you properly accommodate every real-life scenario that a Kubernetes user might encounter? How do you leverage advanced scheduling techniques to shape and describe each scenario in easy-to-use rules and configurations? In his session at @DevOpsSummit at 21st Cloud Expo, Oleg Chunikhin, CTO at Kublr, will answer these questions and demonstrate techniques for implementing advanced scheduling. For example, using spot instances ...
SYS-CON Events announced today that Yuasa System will exhibit at the Japan External Trade Organization (JETRO) Pavilion at SYS-CON's 21st International Cloud Expo®, which will take place on Oct 31 – Nov 2, 2017, at the Santa Clara Convention Center in Santa Clara, CA. Yuasa System is introducing a multi-purpose endurance testing system for flexible displays, OLED devices, flexible substrates, flat cables, and films in smartphones, wearables, automobiles, and healthcare.
SYS-CON Events announced today that Taica will exhibit at the Japan External Trade Organization (JETRO) Pavilion at SYS-CON's 21st International Cloud Expo®, which will take place on Oct 31 – Nov 2, 2017, at the Santa Clara Convention Center in Santa Clara, CA. Taica manufacturers Alpha-GEL brand silicone components and materials, which maintain outstanding performance over a wide temperature range -40C to +200C. For more information, visit http://www.taica.co.jp/english/.
As hybrid cloud becomes the de-facto standard mode of operation for most enterprises, new challenges arise on how to efficiently and economically share data across environments. In his session at 21st Cloud Expo, Dr. Allon Cohen, VP of Product at Elastifile, will explore new techniques and best practices that help enterprise IT benefit from the advantages of hybrid cloud environments by enabling data availability for both legacy enterprise and cloud-native mission critical applications. By rev...